Landscape - Project 7 - figures in a landscape

The role of figures in a landscape. We are asked to think in terms of

• Balance
• Focus of attention
• Establishing the scale of the scene

Photograph No 1 is an iconic shot from The Lake District of Ashness Bridge. Photographed many times and used as an illustration in many books and advertisements. From this vantage point we can clearly see the bridge, some of Derwent Water, Keswick and Skidaw in the background. The figures in this instance are offering valuable scale and a point of interest at the thirds of the image.

Nikon D3  85mm lens. 1/60 sec f16 on a tripod.

Photograph No 2 shows a fisherman in Watendlath Tarn. The figure here is included solely as a point of interest. The lighting is acute and the figure contrasts with the green background.

Nikon D3 200mm lens, 1/1250 sec f8. Exposure -0.7EV to reduce the detail in the background and reduce the potential for over exposure in the water. 

Photograph 3 shows a figure on a wooden pathway across a wetland area near Derwent Water. I included the figure for balance. Without the figure the image has no point where the eye stops as it scans from foreground to the distance. The figure halts that flow. In addition the figure provides scale, as it is difficult, without reference to maybe the house in the background, to understand how wide the footpath is.

Nikon D3 with 50mm AIS MF  lens, 1/200 sec f11.

Photograph 4 has figures that are much smaller than in the previous 3. The only purpose here is that the figures provide scale. The scene on its own is clearly a bridge over a river, but how big ?. The figures are not as prominent as I would have liked and looking again at this shot it would have improved by allowing the figures to be on the bend in the path.

D3 200mm lens 1/1000 sec f8. Exposure -0.3EV to reduce overall tone and enhance figures on the path.

Conclusion

Whether or not to include figures in a landscape is a difficult question. Often the decision can be made based upon the end use of the image. Photograph 1 for example was shot as part of my Stock and has been used in a book on walking. It therefore had to have walkers, without them the editor would not have chosen it. The figure only works where it provides an essential difference and I would not generally include any without good justification.

Projects upate

The progress on keeping up to date with the projects has suffered a bit recently due to the work on Assignment 1 becoming too intensive. Although nothing recorded here for projects there has been some background activity. Frustrated with Norfolk and Lincolnshire I have just returned from 3 days in Cumbria. I always return to The Lakes when everything else fails, although there is no guarantee that my photography will become enriched by traveling 5hrs up the A1. The course folder traveled with me and was an aide memoir for project related work. What is for sure is that the food is good and the beer even better, so nothing is ever lost.

Project 6 - framing the view differently. I have some ideas for this but nothing worked out that well so this one is on the back burner for a while. When I find my location to shoot this it will be quick and simple, but for now , no location.

Project 7 - figures in a landscape. Shot some for this in Cumbria, so images are available, just PP needed to complete.

Project 8 - using perspective to help composition. Many of my images from the last 3 months have been shot with many of the techniques being looked for here, so I don't propose to shoot anything special for this and will rely on some from previous shoots. Unless we get some fog which would be nice.

Project 9 - colour themes. Once again I think my recent Lake District shoot has some for this. Certainly plenty of green.

Project 10 - soft colours. I had The lakes in mind for this when I booked the trip. Soft greens and browns in abundance.