Landscape - Project 10 - soft colours

Project 10 looks at colour differently from those used in Project 9. Here we are to demonstrate the use of soft muted colour across the entire image, where maybe the atmosphere is reducing the image with a cast. The course notes are written with film in mind and suggest that filters are not used. With digital photography the conversion from a RAW image to those shown requires a judgement on colour temperature,the use of curves and contrast so there is by its very nature some subjective interpretation as to what the natural look may be. Having said that, the selection of film stock would produce its own bias towards either blue with Ektachrome and green with Velvia.

 Photograph 1 was shot mid morning in February in The Lake District.The muted tones are created by the misty atmosphere, winter colours and the low morning light. Beige, almost sepia tones give way to a colder blue cast in the distance. The original full frame shot showed more of the distant mountains and some sky. The mountain tops were snow capped and the sky quite white.The removal of those elements (due to their brightness) reduces the whole image to dark and intermediate tones.

Nikon D3 80-200 f2.8   105mm  1/6400sec f9   -1EV

Photograph 2 was shot around noon in North Norfolk during January on a very foggy day. The overall sepia hue is entirely natural, being created by the diffuse sunlight and the fog. The compression created by the long telephoto lens enhances the depth of the fog and reduces the contrast.

Nikon D2x  600mm f4  1/8000sec f4 -2EV

Further images to follow

Projects upate

The progress on keeping up to date with the projects has suffered a bit recently due to the work on Assignment 1 becoming too intensive. Although nothing recorded here for projects there has been some background activity. Frustrated with Norfolk and Lincolnshire I have just returned from 3 days in Cumbria. I always return to The Lakes when everything else fails, although there is no guarantee that my photography will become enriched by traveling 5hrs up the A1. The course folder traveled with me and was an aide memoir for project related work. What is for sure is that the food is good and the beer even better, so nothing is ever lost.

Project 6 - framing the view differently. I have some ideas for this but nothing worked out that well so this one is on the back burner for a while. When I find my location to shoot this it will be quick and simple, but for now , no location.

Project 7 - figures in a landscape. Shot some for this in Cumbria, so images are available, just PP needed to complete.

Project 8 - using perspective to help composition. Many of my images from the last 3 months have been shot with many of the techniques being looked for here, so I don't propose to shoot anything special for this and will rely on some from previous shoots. Unless we get some fog which would be nice.

Project 9 - colour themes. Once again I think my recent Lake District shoot has some for this. Certainly plenty of green.

Project 10 - soft colours. I had The lakes in mind for this when I booked the trip. Soft greens and browns in abundance.